|
週次 |
日期 |
單元主題 |
|
Week 1 |
2/22 |
Course Orientation |
|
Week 2 |
2/29 |
Bank holiday |
|
Week 3 |
3/7 |
Reports on Research Plan |
|
Week 4 |
3/14 |
1. Byron's Voice; 2. Byron's Catholic Confessions |
|
Week 5 |
3/21 |
Report 1: Manfred and Sublime (Un)burial; 3. Scepticism and the Voice of Poetry in Byron's Cain |
|
Week 6 |
3/28 |
Report 2: Matthew Lewis’s Black Mass; 4. Catholic Contagion |
|
Week 7 |
4/4 |
Bank holiday |
|
Week 8 |
4/11 |
Report 3: Transgendering in Matthew Lewis’s The Monk |
|
Week 9 |
4/18 |
5. Tragicomedy, Bisexuality, and Byronism; 6. Cross-Dressing and the Politics of Gender in Don Juan |
|
Week 10 |
4/25 |
7. Byron and the Lyric of Sensibility; 9. Byron and Wordsworth |
|
Week 11 |
5/2 |
8. Byron and the Excursion; 10. Identity in Place |
|
Week 12 |
5/9 |
Report 1; 11. On Byron's Famous Fanes |
|
Week 13 |
5/16 |
Report 2; 12. The Ideological Dimensions of Byron's The Deformed Transformed |
|
Week 14 |
5/23 |
No Meeting: Preparations for Progress Report/first draft |
|
Week 15 |
5/30 |
First draft (Saraliza); 13. Race, Writing, and Don Juan |
|
Week 16 |
6/6 |
Progress report (Yi-Wen); Don Juan (V-VI, The Harem episode) |
|
Week 17 |
6/13 |
Review and revise |
|
Week 18 |
6/20 |
Paper submission |